Bullfrog Films for Activists

Here is a press release from Bullfrog Films about a great project; check it out:


Bullfrog Films Launches Groundbreaking Community Screenings Site
December 2011

Bullfrog Films, the nation’s leading distributor of films about environmental and related social justice issues, is excited to announce a groundbreaking initiative that brings documentary film to the heart of local and national activism.

Bullfrog Communities (http://www.bullfrogcommunities.com) empowers local organizers and activists by providing screening tools, an online publicity platform and licenses to organize free or for-profit screenings of award-winning new documentaries. Bullfrog Communities also enables organizers and viewers to participate in online campaigns relating to the documentary to further enact change.

"Film is uniquely capable of bringing an audience simultaneously up to speed on any given issue, and organizers can take advantage of that moment to open up an informed discussion of critical social issues in their community and, importantly, to take concerted action," said John Hoskyns-Abrahall, president of Bullfrog Films, founder of Bullfrog Communities.

One of the unusual features of Bullfrog Communities is that the screening license allows organizers to charge admission and to keep the proceeds from the screenings. So, in addition to the shared educational experience that only film can provide, a community screening can be an inexpensive, ready-made and attractive fundraiser for local groups.

Each film’s website provides a screening and discussion guide that details how to put on a successful screening; a list of suggested questions for the Q&A following the film; and a handout with links to resources and suggestions for further action.

The website features an expanding group of online communities built around different issues such as food, water, energy & climate change, civil liberties, and economic justice. Each issue area features a growing number of films plus a news feed and an ongoing discussion of the issue and of screenings nationwide. In this way the lessons learned from successful screenings in one community can be transferred to another.

Go to http://www.bullfrogcommunities.com to sign up and start the discussion going on the most pressing issue in your community! JOIN Bullfrog Communities to be alerted when new films are released for community screenings.

What's On Your Plate?

Directed by Catherine Gund
Produced by Tanya Selvaratnam
Co-produced by Sadie Rain Hope-Gund and Safiyah Kai Russell Riddle
With animation by Hubbub Inc.: Emily Hubley and Jeremiah Dickey
Color, documentary, 73 minutes
All ages

Upcoming screening:

BAM Cinemafest/Afro-Punk Opening Night Outdoor Screening
Saturday, June 27th, 6:00 pm

I show my kids a lot of documentaries—more than they want to see, frankly. So when I pulled What's On Your Plate? out of the envelope and said, "It's about food!" my son put on his blah face. "I've seen a ton of that stuff. I know." He's used to home cooking, CSAs, the backyard garden (even if a groundhog has kept it from coming up this year), he knows everything there is to know about healthy eating. But when the rest of the family popped it in and started watching, he came in and got hooked.

Co-produced and 'hosted' by two 7th-grade girls, Sadie and Safiyah, who live and eat in New York City, What's On Your Plate? welcomes a kids-eye view of food politics. School lunches, family farming, the mystery treat "Funyuns," and diet-related diseases are some of the topics, but the 'girl guides' leading the exploration, Sadie and Safiyah, bring humor and energy that keep the material from being dry or didactic, and so do their lively interview subjects—chefs, food activists, and farmers. Director Gund has no wish to feed us a lot of talking heads—she'd rather follow the girls as they amble through the city, visit the Angels, a Mexican farming family, or select cucumbers at their CSA. You get to watch people eat a lot. And Sadie and Safiyah don't shrink from asking the heads of food for NYC schools why Snapple is considered a suitable beverage to be serving kids from machines. "They don't have to drink it," one says.

I think one reason my kids found What's On Your Plate? interesting is that it talks about what happens when the food we see being grown around us—in Ulster County, two hours north of the city—reaches New York City. How do city residents get to know farmers? How does farm-fresh food get distributed to schools? How do people go about changing what's on their plate?

FLOW: For Love of Water

2008, color documentary, 93 minutes
Directed by Irena Salina
Produced by Steven Starr
8 and up



Salina's documentary views the global water crisis through the eyes of activists struggling for access to clean, free water. The stories told here are fairly easy to follow for 8 and up, and kids used to seeing plastic bottles of 'blue gold' for sale everywhere really ought to hear this side of things. Activist/thinkers Vandana Shiva and Maude Barlow figure prominently in this narrative of an essential question of our time: can nature—the very elements of life—be owned? Or are they aspects of the worldwide commons, our birthright, what we share and steward together?

In the Hudson Valley, this film is making the rounds as a fundraiser for water-related issues such as those raised in Rosendale,NY by Save the Lakes.

Chisholm '72: Unbought and Unbossed

Shola Lynch, 2004
76 minutes, documentary
Best for ages 5+

I was 11 in 1972 when Congresswoman Shirley Chisholm became the first woman and first black person to run as successfully as she did for president of the United States, and my son is 11 now. Watching this documentary with him and my 9-year-old daughter really put this year's campaign in perspective. The footage here demonstrates some of the long road that has led to Barack Obama's candidacy, reveals by contrast the shallowness of the media analysis of race and gender in the current campaign, and offers a refreshing, even bracing introduction to a candidate who was not afraid to speak out and take strong, clear, progressive positions. "I want to be remembered as a woman who dared to be a catalyst for change," said Chisholm. A great introduction to a figure your children should know about (even if they don't understand all of it), a primer in issues that come up in every campaign, and some good context related to the movements for the rights of women and African-Americans.

Word Play

Patrick Creadon, 2006
94 minutes, color documentary
7 and up, rated PG for mild reasons detailed in the review of this movie at Kids-in-Mind

Using NPR puzzlemaster and New York Times puzzle editor Will Shortz as a focal personality, this documentary is all about crosswords, those who make them and those who complete them—in well under five minutes, every week and at an annual competition held in Connecticut since 1975. Kids should enjoy the story of how Shortz, at a young age, determined to spend his life with puzzles and created his own college major—enigmatology—to prepare himself for his chosen vocation. Others will be amused by the longstanding rule of etiquette that prevents anything remotely scatological from being used in a crossword, a state of affairs that vexes puzzle constructors in need of vowel-rich words like "enema". The DVD comes with lots of bonus features for extra fun that should inspire a run on crossword books at your house.

The Way Things Go

Peter Fischli & David Weiss, 1987
color, 30 minutes
All ages

"Everyday objects doing cool things," is how my daughter described this chain of events set off by a spinning garbage bag. Foam, fire, explosions, liquids and wheels, a bit of physics and chemistry, and you have thirty minutes of ooh-ing and ah-ing. Delightfully, this film is ultimately about story, and children will love being the narrator, but they should spend at least one viewing listening. The Honda ad, "Cog," that purloined the concept and ideas from this film inspires awe too, but the original is more fun—longer, messier, and the objects have more personality.
Highly recommended for all ages.

You Can't Be Neutral on a Moving Train

Deb Ellis and Dennis Mueller, 2004
color and b+w documentary, 78 minutes
Ages 9? & up

Resident 9-year-old says, "Well, I enjoyed it, but I think most kids would be restless and would rather watch a horrible crappy movie called The Wild instead of this." (Um, we didn't see The Wild.)

It ain't for nothing that you're parked at Alternative Films for Kids, folks!

This profile of professor/activist Howard Zinn, author of The People's History of the United States (which has sold a million copies), covers his adult life, which has spanned many of the key social and peace movements of our time. Ellis and Mueller track Zinn from his labor activism to his experience in the air force to his days as a Civil Rights leader at Spelman College to his peace activism during the Vietman War—and beyond. This is a great way for kids too young to read A People's History to learn some people's history—through the life of an engaged historian who continues to work for social justice.

Definitely not The Wild.

Note: contains some graphic archival footage of American police brutalizing demonstrators, bombs dropping during WWII and Vietnam, and Vietnamese civilians under attack.

An Inconvenient Truth

Davis Guggenheim, 2006
100 min, color documentary
Ages 8 and up

"If this is happening, why don't they do something about it?" was my daughter's response after watching An Inconvenient Truth at the Hyde Park Drive-In, a special screening organized by the environmentalist organization, Scenic Hudson. I had worried that the movie would upset her, but I think she related to it as more of a science lesson, and Al does leave things on a rather bright note, stressing the potential for change and the generous ability of the earth to bounce back after extreme injury. My son (9), saw it with me when it opened, and now has seen it twice, and I think it's a good one for the right young viewers. They get a lot of earth science, particularly graph-reading experience, and Al's story of how he became a global warming activist, interspersed with his lecture on the state of the planet, is moving and inspiring. No time like the present to get kids thinking about the defining issue of their generation.

Who Killed the Electric Car?

Chris Paine, 2006
92 minutes, color documentary
Ages 8 and up

I took my kids to the theater to see this, and they had no trouble sitting through it, though the 9-year-old seemed to have an easier time following the story of the rise and fall of the electric car—and the various parties complicit in its demise—than my 7-year-old. This is one of the best-paced, most absorbing documentaries of its type I've seen, presenting a wealth of material in an intelligible way. A great discussion-starter about Big Oil, Big Autos, transportation alternatives, how public policy is created, consumer activism, and so on. The shadow issue lurking in the background of course, is whether automobiles are viable at all, but at least this is a place to start.

Who Killed the Electric Car? has a nice website with a teacher's guide, if you're into that sort of thing (In my experience kids come up with more interesting discussion questions than grown-ups.)

Rated PG for "brief mild language," but I can't even remember what it was. I think it will fly past most ears but make sure you pre-screen if you're concerned.

Heart of Tibet: An Intimate Portrait of the 14th Dalai Lama

David Cherniack, 1991
60 minutes, color documentary
5 up

This portrait of the 14th Dalai Lama was created during a visit to California and includes interviews with American scholars of Buddhism such as Robert Thurman, plus footage of the Dalai Lama being interviewed by journalists, meditating, and making the rounds as he is greeted by supporters in the U.S. I especially liked these scenes, which focus on close-ups of people as they look into his eyes—one thing everyone seems to agree on about the Dalai Lama is that meeting him is an experience of pure joy. Parents of very young children be advised: provides background on the Chinese invasion of Tibet that includes archival footage of soldiers brutalizing Tibetans. An introduction to Buddhism that kids 5 and older should understand, as the Dalai Lama, the "simple monk," speaks plainly on fundamental subjects: love, compassion and service to others.

Primal Mind

Don Lenzer, 1996
With Jamake Highwater
58 minutes, color documentary
Ages 5 and up

Author Jamake Highwater talks about his own experiences growing up as an Indian in a foreign, dominant culture and the peceptual divide between primal and European cultures. He moves fluidly among topics—art, architecture, dance, painting. This is aimed at viewers of at least young adult age, but there is so much of interest to look at, and Highwater makes his points so clearly, that any child could benefit from one or more viewings.

Making Grace

Catherine Gund
87 minutes, color documentary
All ages

A warm document of the journey of a couple, Anne Krsl and Leslie Sullivan, toward motherhood, following them through several visits to a doctor for insemination and culminating in the birth of their daughter, Grace. I watched this with my seven-year-old daughter and during and after, we talked about the various ways families are created. She loved it. When I asked her what she loved about it, she said "Everything." When I asked her what images stayed with her from the movie, she said "Grace." I think she got the idea. It's about love, perseverance and naturally, grace. Incredibly moving to see how a child's birth can heal a family and create community.

Touch the Sound

Thomas Riedelsheimer, 2005
99 minutes, color documentary
All ages

Evelyn Glennie, a deaf percussionist, plays a variety of instruments with several collaborators in this portrait of her that focuses on the question of what is sound, exactly, and how do we hear? The body as a resonator, synaesthesia, the sheer joy of having a huge space to bang a gong in—like Rivers and Tides (see below), Riedelsheimer's portrait of this sound artist is an exploration of how humans play in the world, this time focused on the vibrations around us. Interview footage with Glennie is alternated with various performance pieces, including several lovely marimba duets with guitarist/musician Fred Frith. My eight year-old said, "I thought it was about different instruments—how you don't have to use an instrument for the thing it was made to do." In theaters as of this writing; waiting for DVD might be a good idea, as watching it in pieces will help restless viewers. Riedelsheimer does not rush his material.

Rivers and Tides

Thomas Riedelsheimer, 2001
90 minutes, color documentary
All ages

This is Riedelsheimer's beautiful portrait of sculptor Andy Goldsworthy, who works outside with elements of nature as his media: leaves connected by their stems carefully graded by color and set loose on a river, stones piled in to a beehive shape, scraped ice.

The movement of the sun and changes in the weather figure into his work as well, and children will recognize in Goldsworthy's studious, ambitious play, aspects of their own earthworks (if not, they need to spend more time outside).

The langorous, meditative pace of this film may be hard for children used to sensory overload, but the sheer technical skill Goldsworthy brings to his work should hold anyone's attention, and if you rent it you can watch it in pieces.

The Dancer

1994, Donya Feuer
96 min., color documentary
Swedish w/English Subtitles
All ages
The Dancer follows Katja Bjorner, a teenage ballet dancer through rehearsals at at the Royal Swedish Ballet School, competitions and stage performance. Directed by a dancer, this film allows for lengthy, generous close-ups on the feet and hands, but it is the face, sweating, composed, emitting short breaths, that speak most eloquently of the dancer's discipline. There are no bloody unwrapped feet here, no anorexia or moments dwelling on missed opportunities—this is a vision of ballet as hard work and a big dream come true.

Fleshing out the studio sequences is a trip to the ballet shoe factory, where men stand all day at lasts making custom-fit shoes for dancers. We get to see them apply layers of fabric and wheat paste, shape the block, nail and ply the shoe—an art and discipline in itself.

March of the Penguins

2005, Dir. Luc Jacquet
80 minutes, color documentary

The story of how the Emperor Penguin treks seventy or more miles across the ice to mate and create a rookery with fellow penguins is as compelling as any animal narrative could be. Penguins offer an example of animal fathers parenting equally, and watching the care with which both parents tend the egg and chick is profoundly moving. The best thing about this documentary is the photography; the camera that lingers over the birds in extreme close-up. It's a privilege to be able to observe them, in movement and in stillness, in a climate no blooded being should be able to call home.

There's a G rating, but parents of young children should know that some eggs and chicks don't make it—we watch an egg freeze on the ice, a father looking on helplessly; in another scene several fathers pass an egg on the ice and stop to eye it; there is a frozen chick. I left early with my six-year-old because that image made her so sad.

I'm going to write in more detail about this over on my other blog Oswegatchie, but I would very much prefer a different philosophy of scoring and narration in documentaries such as this one. There is way too much mainstream pressure on nature documentarians to 1) compare animals to humans; 2) score their "antics" to amuse us; 3) have a narrator blab at us in a not-particularly-enriching way.

Beatrix Potter: Artist, Storyteller & Countrywoman

1993, Produced and directed by Cari Best, Paul Gagne and Judy Taylor
55 min., documentary
All ages

This documentary about the life of Beatrix Potter, the brilliant writer/artist behind Peter Rabbit, Mrs. Tittlemouse, Squirrel Nutkin and a dozen other memorable animal characters, gives a great sense of how she became such a fine observer of animals, the role solitude played in her creative development, and the means by which her work was introduced to a wide audience that continues to grow. Includes archival photographs and drawings. Late in life Potter bought land in the Lake District of England and became a conservationist, leaving 4,000 acres to the National Trust when she died. A must-see and a great accompaniment to the Royal Ballet's Tales of Beatrix Potter.

Ah! The Hopeful Pageantry of Bread & Puppet

2002, Dir. Dee Dee Halleck & Tamar Schumann
84 minutes, color documentary
All ages

Plunge into the casual, creative community of the Bread & Puppet Theater in northeast Vermont, where people pilgrimage to take part in communal living and the creation of spectacles that advocate peace and decry greed. Children will enjoy seeing how the puppets are made and how people live at the Bread & Puppet farm; learn an important piece of our cultural history; and get an introduction to the work of Dee Dee Halleck, tireless advocate for democratic media. Possibly all ages; you be the judge.

Cane Toads: An Unnatural History

1988, Dir. Mark Lewis
48 minutes, color documentary
First Run Features

Who are the cane toads? Marvelously monstrous mega-toads imported to Australia from Hawaii in 1935 in an attempt to eradicate a beetle. The plan backfired bigtime, and this film tells why and shows how Australians, some of them anyway, took the poisonous, plaguey cane toads to heart. I spoke with a 10-year-old who really enjoyed the film, when I showed it to my children at ages 4 and 6 they were a little young; there are gruesome moments and mating habits are covered .

Radical Harmonies

2002, Dir. Dee Mosbacher
90 minutes, color documentary

The story of the Women's Music Cultural Movement includes interviews and performances of some of the great feminists who revolutionized the music industry with women's festivals, women-owned music labels and women sound engineers. Here is a positive tale of how women seized the means of production at a time and in a field dominated by men. This is also a chronicle of rising lesbian awareness and what it meant to women to attend women's music festivals during the years when they were just getting started. Check out the production company, WomanVision.

One complaint: the performances are interrupted; wish we got to hear full songs interspersed with the interviews.

Ages 5 and up, but as always, pre-screen to verify your comfort level with the material.